365: a picture a day

This project is under construction: For the whole year I try to post a picture a day combined with a title. Starting with the latest on top. In February I decided to choose a topic to go with every month. I started with RED, then HUMAN, in April SHADOW and in May WATER. This provides me enough focus and a lot of space to play with. Feel free to visit every now and then.

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365/138 – Transform modern life itself into a work of art

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365/137 – What is this singular existence that comes to light in what is said

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365/136 – Restore a freedom to seeing, thinking, and feeling

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365/135 – The disruptive force of art

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365/134 – The relation between art and knowledge

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365/133 – What’s the relation between resemblance and representation

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365/132 – Symbolizing certain beliefs or ideas without representing them

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365/131- Form follows function

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365/130 – Function implies intent

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365/129 – Good art does not go out of style

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365/128 – Art helps to see what is there but not easily perceived

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365/127 – Art may serve the personal functions of control

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365/126 – It all adds up to innumerable variables when trying to figure out

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365/125 – Perhaps the artist was trying to provide an aesthetic experience, both for self and viewers

 

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365/124 – Misunderstanding is never a happy place to visit

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365/123 – You, the viewer, are the other half

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365/122 – Trying to classify function depends on context

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365/121 – Highlighting the awkwardness

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365/120 – Imagination is driven more by what it cannot see than by what it can

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365/119 – One must follow intricate turns of thought, and unravel

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365/118 – Modernism saw the rise of new forms

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365/117 – A complex heterogeneity that functions both as its parts and as a whole

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365/116 – Whatever the truth of this hypothesis, it blurs a useful distinction

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365/115 – Alienation causes self-pity, vulnerability, violence, and deep introspection & intellectual independence

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365/114 – Loneliness is the poverty of self

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365/113 – A pervasive phenomenon like alienation should leave such an indelible impact upon the contemporary

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365/112 – To labour with the nameless burden of perception

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365/111 – Contrasts, strong when we compare extreme cases, fade from our consciousness in the actual use

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365/110 – We dye the world of our own colour

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365/109 – Don’t worry if nothing sounds or feels right

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365/108 – Transfers our feelings to a greater object

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365/107 – We destroy conventions only to construct ideals

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365/106 – The material of experience, seizing hold of the reality of sensation and fancy beneath the surface of conventional ideas

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365/105 – Playing with and testing, among other things, the principle of euphony itself

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365/104 – Sensible things have been said on the question

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365/103 – Truer to the ultimate possibilities of the soul

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365/102 – To accomplish a mystical disintegration is not the function of any art

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365/101 – The stuff of language is words

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365/100 – Forming connections previously not perceived

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365/99 – Difference between poetry & verse is usually the difference between substance & form

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365/98 – Imparting the sense that we are on familiar ground

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365/97 – Plenty of mystery remains

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365/96 – To obfuscate

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365/95 – An empirical phenomenon, not an ideal concept

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365/94 – Only someone with a crassly utilitarian view of poetry could talk of its “function”

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365/93 – The distinction between knowing and remembering

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365/92 – Validity means the system’s rules of proof never allow a false inference from true premises

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365/91 – Consistency means no theorem of the system contradicts another

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365/90 – I would rather go mad than feel pleasure

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365/89 – How do we know that we know?

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365/88 – A moral cause of action

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365/87 – Modern society means setting the world in motion

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365/86 – On expectation

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365/85 – Our life has no end in the way in which our visual field has no limits

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365/84 – The world is everything that is the case

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365/83 – Putative knowledge includes propositional knowledge and

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365/82 – What is most real?

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365/81 – Is it possible to know anything and prove it?

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365/80 – Concerning matters such as existence

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365/79 – Doubt as far as possible all things

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365/78 – Being and non-being are the same

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365/77 – Freedom & ought

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365/76 – Desire to contribute

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365/75 – Open up to the world

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365/73 – Perpetual & unsustainable acceleration

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365/72 – Shrinking of the present

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365/71 – Thrownness

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365/70 – Average everydayness

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365/69 – The Will to Power as Knowledge

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365/68 – Fusion of horizons

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365/67 – Without genuine relation

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365/66 – Cause & effect of a broken connection to the world

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365/65 – Not only about literature

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365/64 – If acceleration is a problem

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365/63 – The place of the human

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365/62 – Subjective vs. objective

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365/61 – The centre does not hold

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365/60 – Life is not about who you are but who you want to be

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365/59 – Expand or diminish our sense of possible

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365/58 – Ambiguity

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365/57 – The importance of rhythm

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365/56 – Diversity of purposes

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365/55 – Many details and the great picture

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365/54 – Combine what you want to do to what you are supposed to do

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365/53 – Shift of audiences

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365/52 – Rational judgement

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365/51 – Understand experiences of others

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365/50 – I believe in literature

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365/49 – Take a step back

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365/48 – Investigate the form & function

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365/47 – How to live your life together with others

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365/46 – Perspective awareness

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365/45 – Narrative representation takes us to the individual

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365/44 – Metaphor

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365/43 – Change your perspective

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365/42 – Visual Space

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365/41 – Narratives shape our values

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365/40 – Narrative complexity

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365/39 – How to interpret

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365/38 – Ordinay perception

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365/37 – Sense of the impossible

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365/36 – Every in-between relates and separates one

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365/35 – Art is a lack of certainty

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365/34 – Bring your balloon

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365/33 – Model without morality

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365/32 – What is it you prefer thinking or narrating

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365/31 – So many thoughts

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365/30 – A smile is a curve that sets everything straight – Phyllis Diller

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365/29 – Making plans

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365/28 – Rocking the sun in one’s elbow

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365/27 – Nature behind a fence

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365/26 – Window to the world

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365/25 – Everybody needs a little bit of red always

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365/24 – Locker room portrait

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365/23 – Sundial, frozen

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365/22 – Night play

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365/21 – (Almost) infinite winter landscape

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2019/20 – How cold feel deer in winter

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365/19 – Warm-hearted tones

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365/18 – Early morning market

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365/17 – With all due caution

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365/16 – Road to Germany

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365/15 – Little red car behind trees

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365/14 – My single-minded aim is to give existence to fantasy – Claes Oldenburg

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365/13 – Sunday rest in Lower Saxony

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365/12 – Pavement flux

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365/11 – Park theatre

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365/10 – Night theatre

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365/9 – What is real and how do you know

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365/8 Be yourself, everyone else is already taken ― Oscar Wilde

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365/7 – After

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365/6 – On a Sunday in January

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365/5 – Late night talks

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365/4 – Home view

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365/3 – I like my world in frames

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365/2 – Be as you wish to seem – Socrates

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365/1 – Living is wanting

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